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Ashley Santore��created��performance editions, performed, and recorded two��pieces of Lynn's music:��Conversare fra Viola ed Piano and Pleasantry for Viola and Piano.

Dan Wessler��framed his��study around two of Lynn's��choral settings of Whitman texts:��I Hear America Singing, written in 1937, and��When the Full-Grown Poet Came, written in 1978.

Recent College of Music Clarinet Performance and Music Education graduate, Anoushka Divekar, debuted��, a virtual concert she and collaborators created from works by Black Female composers.

At Berklee Global Jazz Institute, Greek musicians are leading a rediscovery of intercultural dialogue through music. At the forefront of these efforts is Cretan singer Eirini Tornesaki (also known by her artist name, Erini)

Professor of Piano Pedagogy��Alejandro Cremaschi��and his students are uncovering a neglected group of composers rarely visible in the world of classical piano music through their new project,“Hidden Voices.”��

Brian Stone edited and arranged George Lynn's music drawing on��three poems, "An Ended Day," by Walt Whitman, "Look at the Stars," by Ralf Waldo Emerson, and "Moons Ending," by Sara Teasdale.

Emilie Bertram��transcribed, edited, and, with the help of the CU choirs, perform;��Being and Breath, written for SATB choir, and��Johnny Has Gone for a Soldier, from the AMRC George Lynn Collection.

Isabella Fincher transcribed��four works for classical guitar��from the George Lynn Collection that��showcased the diversity of��Lynn’s instrumental works,��from atonal to strongly melodic.