In stride with jazz alumna Annie Booth
āMy experiences at CU Boulderāboth at the undergraduate and graduate levelsāwere invaluable,ā says Booth. āI was part of the Concert Jazz Ensemble and Jazz Combos, which helped shape my career in different ways. At the undergraduate level, I became comfortable playing in those settings and learned how to act professionally. At the graduate level, I composed a lot for the band, so it was a great opportunity to not only have the ensemble play my music, but also to gain the experience of conducting my own pieces.ā
Today, Booth serves on the faculty of the Lamont School of Music and has numerous projects in the works. She was recently selected as the 2022 Reno Jazz Festival Commissioned Composer, and leads and writes for the 18-piece Annie Booth Big Band. On June 24, she released āAlpenglowāāher album featuring the Annie Booth Sextet (watch for a single/preview this fall!)āand sheās set to release another album in February 2023: āFlowers of Evilāāfeaturing College of Music faculty and alumni*āis a song cycle of eight Charles Baudelaire poems that Booth has set to music.
āI have the utmost respect for every single person who chooses the path of the professionalĢż musician,ā she reflects. āItās taken a lot of versatility, flexibility, hard work, focus and being intentional about whom I want to surround myself with. The people who have helped meābe it musicians who Iāve hired to be a part of my projects or mentors who have guided me and pushed me alongāare very important.Ģż
āFiguring out how to do it is an ongoing journey. Thereās no template because the world and this career space is ever-changing.ā
Also an avid educator, Booth created the in conjunction with the Colorado Conservatory for the Jazz Artsāthe first jazz camp in Colorado for young women. As an extension of her pedagogy-focused masterās thesis, her mission is to create a strong, empowered community of women along the Front Range who express themselves through jazz music.Ģż
āBecause jazz music is individualistic, everyone has their own voice,ā Booth explains. āItās a priority for me to communicate that message to my students, encouraging them to find freedom in their self-expression.Ģż
āEveryone is going to have their own path and do things differently. Itās important for students to use the tools from their teachers to help them grow their own voice at their own pace.āĢż
In addition to her workshop, Booth offers regular jam sessionsāthese local are open to girls and women of all ages and abilities.
In sum, Booth offers this career advice:
āAsk yourself, whatās best serving me on my path? Thereās a fine line between saying āyesā for exposure and becoming overwhelmed with opportunities. Iāve gotten trapped by over-committing myself and have learned to say ānoā to things that arenāt serving my overall career goals.āĢż
āDonāt get stuck in the way that things have been done before. There are so many chances for us to share our music and collaborate with others. Keep an open mind and always be on the lookout for opportunities. That said, be careful to choose opportunities that serve your bigger mission in music.ā
āSurround yourself with like-minded people. It can be hard to find that community, but seeking out jam sessions, open mics, community orchestras, and so on will help you find your group of people who will support you. Show up, be the best you can be and let people know who you are! Many times itās about who knows you, rather than who you know.ā
*Boothās piece and forthcoming studio album, āFlowers of Evil,ā features Professor of Jazz John Gunther (sax and clarinets) and Associate Professor of Jazz Studies Brad Goode (trumpet). The album also features a cast of alumni, including Dru Heller (MM ā15), Anisha Rush (BM ā16), Matt Smiley (DMA ā22), Rosalee Walsh (BM ā22) and Brian Woodbury (DMA ā21).