»Ę¹ĻŹÓʵ

Skip to main content

Music: The great equalizer

corie brown with her students

Corie Brown (center) with students from La FundaciĆ³n Butata in Colombia.

Whether you grew up in the Midwest or a South American capital city, music is music.

Corie Brown learned that when she was helping develop the choral program at in BogotĆ”, Colombia.

From 2012 to 2014, Brown was in South America, working with children and adults displaced by civil strifeā€”helping them learn music.

ā€œEveryone should have a right to music educationā€”just like food and clean water and shelter,ā€ says Brown. ā€œMusic doesnā€™t replace those things, but it supplements childrenā€™s lives in a meaningful way.ā€

Now a first-year choral conducting and literature doctoral student at the College of Music, Brownā€™s love for music has taken her from Michigan to the other side of the world and back again. She grew up in the northern lower peninsula, about 30 minutes away from Interlochen Center for the Arts.

ā€œThe culture of the area I grew up in inspired me. Every year as a little girl, I would go to ā€˜The Nutcrackerā€™ and other performances at Interlochen,ā€ she remembers.

Brownā€™s been singing since childhood; she also grew up playing the flute and performing with community choirs. She says her mother, a visual artist, always understood the merit of the arts. ā€œIt was a creative household. I was always singing rounds around the kitchen table.ā€

After high school, Brown took that passion with her to Alma College to study music education. She taught high school choir in Michigan for a few years before heading to the south side of Chicago to teach K-8 music.

ā€œIt was different from anything I had done before,ā€ Brown says. ā€œBeing in such a challenging neighborhood inspired me to think outside the box. Thatā€™s where I became interested in teaching at-risk youth.

ā€œIt appealed to me because while thereā€™s a raw energy that all children bring to the study of music, those who donā€™t have as many resources available to them latch onto it in a more direct way.ā€

corie brown working with choral students in colombia
From there, through a connection with pioneering conductor Matthew Hazelwood, she went to South America and Colombiaā€™s La FundaciĆ³n Batuta. Based on El Sistema in Venezuela, the privately and publicly funded program enrolls around 50,000 people in a network of musical centers across the country.

ā€œThe centers use similar repertoire and the students get to travel for concerts with other centers. It was a really amazing thing to be a part of,ā€ says Brown.

Though she was based in the countryā€™s capital, Brown traveled outside BogotĆ” regularly, helping train teachers and students as the choir program expanded. ā€œIā€™m really lucky,ā€ she says. ā€œI got to experience the joy in Colombian culture amid the hardship some of my students faced every day, and that taught me to slow down and bring that joy into the classroom. As a teacher, Colombia gave me the opportunity to take a hard look at how I teach and interact with the world.ā€

Another powerful lesson learned: Music, in a way, levels the playing field for children. ā€œThere were actually a lot of similarities between teaching in BogotĆ” and teaching in the states,ā€ Brown says. ā€œWhile children are incredibly unique culturally and in a lot of other ways, they respond to similar ways of interacting and teaching strategies.ā€

In 2014, Brown returned to the U.S. for graduate studies at the University of Oregon. She arrived in Boulder this summer. Though sheā€™s still shaping her doctoral thesis, she says her work in South America is guiding her thought process.

ā€œI want to look at the differences and similarities between El Sistema and Batuta and similar programs in the U.S. and look at the trend all over the worldā€”to figure out what ā€˜at riskā€™ means in todayā€™s world.ā€

Brown hopes that through choral music, she can spread a little light to the people around her. ā€œThereā€™s a lot of challenge and darkness in the world. Giving myself and my students and colleagues a way to communicate is my way of trying to make the darkness better.ā€

And the best way to do that is to work together.

ā€œChoral singing is really being a part of a community where the whole is greater than the sum of its parts. Every day I come home thinking that I couldnā€™t do this alone. Together weā€™re able to make beautiful music.ā€

Brown conducts the Menā€™s Chorus at this Fridayā€™s Fall Festival of Choirs. The free concert features all of CUā€™s choirs in a program with everything from jazz to Mozart. The music starts at 7:30 p.m. at First United Methodist Church, 1421 Spruce Street, in Boulder.