From peaks to front lines
Jordan Campbell takes a selfie after spending more than a week in what he called a ānot-so-safe safehouseā that was under attack from Russian forces. Photo by Jordan Campbell.
By Hannah Stewart (Commā19)
The clouds and clear skies fought for dominance over Kyiv, reflecting the tension on the ground,Ģżas Jordan Campbell stepped off the worst bus ride of his lifeāa 24-hour slog from KrakĆ³w, Poland, to Ukraineās capital.
It was the second of what would be many trips to Ukraine, and the beginning of an ambitious documentary film. Standing at the bus station, weighted under cameraĢż
gear and body armor, he considered himself a storyteller.
Now, after three further visits to the front lines, he sees himself as a war journalist.
āItās breaking my heart to see one of my favorite countries being hit like this,ā Campbell (Commā91) said. āI was embedded with NGOs, riding around in an ambulance, because Iām fascinated by humanitarians doing amazing work around the world. And the best thing I can doĢżto serve humanity is go out, tell the stories and comeĢżback safe.ā
Campbell traversed literal and figurative mountains to become the filmmaker he is today. Climbs in Tibet and Nepal gave him an up-close look at injustice and inequality, awakening a passion for humanitarianism. His work in mediaāin a senior communications role with Marmot and as a freelancer for National Geographicāgave him the tools to tell life-changing stories from across the globe.
āI was a corporate guy with a love of moonlight journalism,ā he said.
In 2011, on assignment for National Geographic inĢż war-ravaged South Sudan, Campbell documentedĢżthe work of cataract surgeon Dr. Geoff Tabin. Upon returning to the States, he was approached by filmmaker Michael Herbenerāwho is also working on the Ukraine projectāwith the idea of using Campbellās footage to make a documentary.
That film, Duk County: Peace Is in Sight in the New South Sudan, went on to win awards and was screened twice at the United Nations.
āThe awards feel good, but I want to connect with the audience and have them feel the same way I felt when I was in the field,ā Campbell said. āTo take it to the United Nations twice, thatās the stuff that makes me feel like weāre having an impact.ā
The desire for humanitarian impactācombined with his experience as a communications professional and visual storytellerāprompted Campbell to found Ramro GlobalĢż
in 2019.
Its seven-person advisory council contributes insights into global challenges. Christina Tobias-Nahi, who specializes in the Middle East and North Africa for Ramro, met Campbell in 2018 when she spoke at CU Boulderās Conference on World Affairs.
She is based in Washington, D.C., and as director of public affairs, research and advocacy for Islamic Relief USA, she often travels to places with mass displacement.
āI do a lot of advocacy,ā she said. āEverything is so political and contentious, and I admire Jordanās willingness to use his voice to change political will in Washington.ā
Somewhat unconventionally, Campbell also appoints advisors for issues that demand global attention, which isĢżhow Michael Carterāan expert in the geopolitics of power and energyācameĢżto the board.
Carterās experience comes from more than 25 years in the energy industry, where he works on issues of transparency and inequity, like lack of access to sustainable power and movement toward aĢżlower-carbon future.
āIt takes a very thoughtful and calm,Ģżcompassionate mind to look at inequity and do something about it,ā he said. āThatās the essence of what Jordan isĢżtrying to accomplish.ā
As a business strategist, Carter has helped Campbell develop Ramro Global from concept to company. As an energy expert, he provides unique insight into the humanitarian projects Campbell chronicles.
ĢżĢżJordan puts his life in danger to bring these stories to people. I really admire his bravery.ā
Christina Tobias-Nahi
āSome of the first targets the Russian army hit were the Ukrainian power plants,ā Carter said. āPower allows us to communicateāespecially through mobile phonesāand I want to help Jordan communicate his message. He has dedicated himselfĢżto humanitarianism.ā
Campbell is also dedicated to truth and authenticity, which is why he kept returning to Ukraine despite the rising risk. He hasnāt shied from documenting the desperation and destruction he saw working alongside Project Konstantin, a front-line medical evacuation team. Last year, when the U.S. Senate hosted a Parliamentary Intelligence-Security Forum event, Campbell presented a six-minute cutĢżof the film, Ukraine Under Fire. He also met with Ukrainian Embassy staff.
āThere were representatives from 60 countries in attendance who appreciated my testimony because I was an expert witness on what was going on there,ā he said. āIām not a cataract surgeon, Iām not a pediatric cardiac surgeon. But Iām a journalist and Iām a visual storyteller, and I can make some noise and do good things in the world.ā
Campbellās goal with Ukraine Under Fire is to capture a slice of the war while focusing on themes like democracy, sovereignty andāperhaps most importantāresilience. He posted a teaser on the companyās website for public viewing and hopes screenings of the completed film in Washington and throughout Europe will help to further those themes.
āThis can turn into such a bigger conflict,ā he said. āThe scale and scope drew me to the subject. And if youāre a journalist, you want to capture something, add valueāand then get out of the way.ā
Not only has he been shaken by the devastation while on the front lines, butĢż
the impacts have followed him home: Nearly every place he visited has since been bombed, and heās lost friends toĢżthe conflict, as well. It has, as he put it, āgotten under my rib cage.ā
Thatās only strengthened Campbellās commitment to honoring their courageĢżand sacrifice through his film.
āSome people become the bystanders, and some people become the heroes,ā Tobias-Nahi said. āJordan puts his life in danger to bring these stories to people, and it gives a face to that humanitarian need. I really admire his bravery.āĢż